- INSTALLING MASSIVE NATIVE INSTRUMENTS PATCH
- INSTALLING MASSIVE NATIVE INSTRUMENTS SOFTWARE
- INSTALLING MASSIVE NATIVE INSTRUMENTS DOWNLOAD
INSTALLING MASSIVE NATIVE INSTRUMENTS SOFTWARE
What other NI software is part of your workflow? That’s one feature that makes Massive really cool for me. It’s not in this patch, but a useful thing I discovered after exploring all of the pre-loaded wavetables is that I could also incorporate my own samples – I was doing that mainly through the noise generator. I then sculpted the sound with release and attack.
Before I go to the effects and everything like that, I’m usually more interested in adding some movement or seeing how I can take that sound and have it change over time and make it less homogenous. I started out simple, with one wavetable at a time, and then added from there. Then I figured out what was meant by “waveforms” and the sound of each waveform.
Massive and Massive X have pretty complex interfaces. First of all, let me tell you: footwork or ghetto music or the type of music I’m used to making-we typically just stick with basic presets.
INSTALLING MASSIVE NATIVE INSTRUMENTS PATCH
Was making this patch your first experience working with Massive X? Do you have much experience using Native Instruments software in general? In it, we learn how she channels her singular musical vision, the ways in which she navigates production software and hardware, and some of the things she misses the most about nightlife and playing to a crowd.
INSTALLING MASSIVE NATIVE INSTRUMENTS DOWNLOAD
Want to reign in those LFOs? Just dial back macro 11 to retain all of the vibe without drifting off key.Ĭheck out a playlist of Jana’s demo tracks for the patch below, download it, then read on for a short interview. In its default form, then, the patch may be best suited to add synthetic SFX to an intro or breakdown, but with 16 mapped macros, you have plenty of starting points for further exploration. Her patch, “MILD SAUCE” uses two opposing LFOs to create an unstable-sounding rise and fall in the oscillators pitch and timbre. And while her sound moves fluidly between (and beyond) established generic categories, it’s still a style rooted firmly in Chicago’s footwork-indebted legacy and joined by aspects of jungle, acid, soul, jazz, and house. Jana’s productions marry tightly-controlled instrumentals with deliriously dense drum patterns and turgid swathes of sound. Her next LP will be out on Planet Mu later this year. A producer since 13, she’s released with DJ Deeon on Dance Mania, and debuted her stunning full-length, Pariah, in 2017. Chicago-based artist Jana Rush has been a master of her craft since the tender age of 10, when she first started DJing.
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